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Zetterling’s collectivity in the process of creating films brings us over to Verklighetens Folk, who made an activist musical before the parliamentary elections of 2010. In sharp monologues, Zetterling mocks Swedishness and marriage, hir does drag and quotes August Strindberg. Mai Zetterling returned to Sweden with a critical gaze to film a portrait of the city of Stockholm.
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As the program is shown in connection with Bildmuseet’s After Work it is of course loaded with music and action(s). The same goes for the animation based on one of Marie-Louise Ekman’s most famous paintings Strip-Tease.
#Pass this on the knife queer as folk soundtrack movie#
An early trans movie with a lot of warmth and humour. The film’s director Mia Engberg hirself feels that it is one of hir best films. Manhood is an example of a film that hasn’t been shown for a long time. Some of the films have been laying on shelves in storerooms for many years and need to be dusted off to be shown. For the screening in Umeå a broad selection has been made, based on thoughts of collectivity, struggles and identity freedom. There is an enormous collection of queer expressions from 1916 to today. We celebrate this by starting an archive, a platform, a community for Swedish queer moving images. If the 1916 film The Wings by Mauritz Stiller is the world’s first queer film we can say that Swedish queer cinema is more than 100 years old. Umeå European Film Festival together with Bildmuseet Umeå – Art Friday! Short film program introduced and curated by Anna Linder